Located
in a quiet residential neighborhood in the suburbs of Osaka, the small Christian
church made of silky smooth concrete sits modestly within its environment. The communal church consists of two
rectangular volumes that are both cut at a 15 degree angles by freestanding
concrete walls. One indirectly enters
the church by slipping between the two volumes, one that contains the Sunday
school and the other that contains the worship hall.
The
space of the chapel is defined by light, by the strong contrast between light
and shade. In the chapel light enters
from behind the altar, from a cruciform cut in the concrete wall that extends
vertically from floor to ceiling and horizontally from wall to wall, aligning
perfectly with the joints in the concrete.
From this cruciform shape an abstract and universal light seems to be
floating on the concrete wall, its rays extending and receding over time with
the movement of the sun. Light is also
permitted to seep into the interior from the slicing of the volume by the
freestanding concrete wall. The darkness
of the chapel is further accentuated by the dark and rough-textured wood of the
floor planks and the pews which are built out of reused wood used during
construction as scaffolding.
In contrast to the
darkness of the chapel the interior of the Sunday school is built of lighter
colored wood with a smooth surface. The volume of the Sunday school opens up to
a double height space with a mezzanine level that contains a small kitchen,
bench and table which are used for congregation gatherings
No comments:
Post a Comment